The Double Axis Tourbillon, like
     its Trilogy siblings, also contains a
     constant force mechanism.
 
"To be as good as possible, on the border to perfect—that is my goal," he explains simply. "If you are making watches to please yourself—and that’s what I do—meticulously and with passion, then they will automatically be good. My watches are an expression of my personality."
The timepieces issuing from Prescher’s picturesque Twann workshop are of the utmost quality in addition to their unusual aesthetics. He personally makes sure that each
and every piece runs perfectly before delivery, and reports that in his entire career only one has ever been returned for repair.
"These aren’t really watches that can be industrially manufactured," he explains, "and I never run out of ideas. It’s never over for me; I could do this forever." And this year will most likely see Prescher broadening his horizons–and his name—by entering different market segments, such as with a more feminine version of the Tempusvivendi model.
Time will tell if Prescher’s objets d’art are the right thing for a feminine wrist, but one thing is for certain: Taking a stroll to the A.H.C.I. booth at Baselworld 2007 to have a look is definitely worth any woman’s—and any man’s—time.

 

 

FEBRUARY 2007 INTERNATIONAL WATCH
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